January 24 - March 16, 2025. Opening reception January 19, 6 - 8pm. Free and open to the public.

“With a love for pure function and the patina that comes from prolonged use, my works hint at vague mythologies surrounding the vast plethora of apocalyptic scenarios, both imagined and “legitimately” prophesied. Black humor, along with a chaotic mash-up of media process becomes the lens through which to view a confused reality. The range of influences are evidence of a re-adolescent skeptic with more questions than answers. Insect morphology, ancient and tribal art, hydrodynamic and aerodynamic forms, mechanical engineering, the history of space exploration, fractal geometry, robotics, SETI, comic books, popular science fiction, and toys, create a catalogue of images to anxiously explore a potential future past.”

32 - 24 from the Trailer Park Beat Mix

With my feet on the air and my head on the ground

Life During Wartime

A Parable

The Dunce’s Gambit

Vincent Granela is a Cuban-American artist born and raised in Miami, Florida. In 2015, he received a bachelor's degree in fine arts from the New World School of the Arts. In 2019, Vincent moved to Gainesville in order to obtain a masters degree from the University of Florida’s School of Art and Art history. His work is generally inspired by 90s video game culture, 80s action sci-fi films, and low quality cell phone photography. Distorted figures with scratches, marks associated with erasures, and fragmented imagery occupy the canvas. His images draw upon a feeling of something melancholic. The pieces are mostly built through traditional methods in drawing and painting, however they are intended to be a contemporary response to the world.

March 21 - May 11, 2025. Opening reception March 21, 6 - 8pm. Free and open to the public.

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exhibition yet to be determined

May 23 - July 6, 2025. Opening reception May 23, 6 - 8pm. Free and open to the public.

Abby Howard Murphy: A Sense of Place

July 11 - August 24, 2025. Opening reception (to be determined), 6 - 8pm. Free and open to the public.

This award-winning northeast Florida artist developed a love of place and an appreciation for natural wonders with some inspiration from an adventurous travel agent mother, a DIY father, an artist babysitter and a love of impressionist paintings.

Painting en plein air allows the artist to capture vibrant colors and the play of light celebrating those intricacies of nature the camera fails to see. The artist hopes that her images resonate with the viewer and trigger a fond memory; inspire them to champion environmental stewardship or nudge them to venture out and explore those wild spaces and living things that define their own hometown anew.

Lights On at Dusk ‐ Oil ‐ Panel ‐ 18 x 15

Fortitude of Roots (Smoky Mountains) ‐ Acrylic ‐ Canvas ‐ 31 x 41

Beachcomber in Red ‐ Oil ‐ Canvas ‐ 26 x 30

Flags of Aviles Street (St. Augustine, FL) ‐ Oil ‐ Canvas ‐ 15.5 x 12.75

August 29 - October 5, 2025. Opening reception August 29, 6 - 8pm. Free and open to the public.

The origination of my conception of the Goober Dimension began as a way to process an episode of psychosis I experienced as a young adult. At the time I didn’t have the words to unpack the intense feelings I was experiencing or the ability to comprehend the squishiness of the reality I was being confronted with. Trying to come to a better understanding during this state of mania, paranoia, and confusion I began to draw and paint. It was a way to not only let out the onslaught of manic ideas I was forming, but eventually it became a way to cope. I started to refer to the drawings I was conjuring and the wormlike entity that I felt was following me as Goobers. The act of this naming helped me establish a difference between the realities I was encountering, and made light of and poked fun at deeply unsettling experiences I was going through. 

As time has come to pass I’ve come to find that through a more pluralistic understanding of things, my perception of reality is not so well defined and things are not black and white. The fuzzy gray bits that hang in a state of mysterious liminality are still what is most intriguing to me. Artistic research has allowed for me an alternate understanding of these things in a way that sciences will just always fail to match. I am proposing the concept of the Goober Dimension as not simply just an exercise in world building, but as an alternative lens one can use to see life through. The Goober Dimension is a transparent slime over our reality. This way of seeing is surreal, animistic, and intimate in its nature. It reveals the intrinsic weirdness of things. It treats often overlooked everyday moments with care and empathy. It locates the extraordinary in the ordinary. It reanimates the unseen and unloved.  If you are willing to take the plunge you can encounter it yourself.

Goobers are elusive and transmutable entities often found lurking in the in between and in the everyday. Goobers have no hierarchies. Goobers are indifferent.  A Goober could be your friend, could hate your guts, or could care less. A Goober can be a floater in your eye. A Goober can live next to the crumpled up receipt in your pocket. A Ganzfeld hallucination or a daydream under the clouds might reveal itself to you in the form of a Goober. Look inside a haystack and you will find a Goober. Look inside yourself and you might find that there is a Goober in your skull pulling the strings. 

10 Goobers Atop Monkey Mountain

Mind Glyph

Sitting and Thinking

Who’s in the Junk Drawer

Studio Mouse

October 10 - December 15, 2025. Opening reception October 10, 6 - 8pm. Free and open to the public.

Mary Joan cultivated her passion for oils from an early age, expanding her studies across the United States, Europe, and the Far East. Transitioning from her role as a Professor of Fine Arts and Humanities at FSCJ, she earned her PhD in 2005, subsequently dedicating herself to teaching and exhibiting across the eastern United States. In 2020, M.J. redirected her focus to exclusive artistic pursuits, instantly earning accolades such as the Botticelli Award and the 2022 Best Public Art award.

Jupiter - 24" x 24" acrylic on PVC Board

Coal Debris -  oil and mixed media on canvas - 48" x 77" 

Serenity - oil and mixed media on canvas - 40" x 60" 

Venus - 24" x 24" - Acrylic on PVC Board